Patterns for Pirates

P4P stylish, modern, wearable patterns

Paperbag Pants + Skirt :: New Pattern Release!

Guess what day it is?? It’s pattern release day!!! And we’ve got a doozy of a pattern to tell you all about. It checks off SO MANY requests that we’ve had come in over the last few years.

Let’s talk all about the new Paperbag Pants + Skirt patterns, in both youth and adult sizes!!

You will have so much fun sewing up these simple bottoms with the adorable paperbag ruffle top! They’re on trend and comfortable with an elastic waistband.  They’re perfect for woven fabrics with no stretch, stretch wovens or even a stable knit.  The ruffle along the top of the waistband is adorable and fun to wear year round paired with a tank or a cardigan.  You can pink the perfect length shorts from 3″ or 5″ inseams.  The above ankle capri pant is an adorable more fitted pant you can easily dress up or down with different tops and shoes.  You can go short with a mini skirt or longer with a knee length.

Pair any of these options with adorable patch pockets big enough to fit your giant cell phone in comfortably! You can go all out and add belt loops and a tie belt to tie everything together as well!

*Want to learn more about how to measure yourself for these pattern?  We’ve got you covered with an in-depth blog HERE.  And in case you’re new to Patterns for Pirates and PDF patterns in general, we have a great blog full of new-user tips HERE to help you get started!  As with all of our current releases and updates, the pdfs now include our layers feature and can be found in Letter, A4, A0 and projector sizes.  And for even more helpful fun, we have a free* printable that you can use to help record your measurements as you take them.

The options include: Options include:  3″ or 5″ inseam shorts for adult/ shorts, 26″ capri pants, mini for adult/mid thigh skirt, knee skirt, patch pockets, belt loops and tie belt.

Let’s take a look at the different ways we can sew up these patterns!

SKIRT LENGTHS (MINI + KNEE)

SHORTS (3″ INSEAM / 5″ INSEAM ADULT)

ABOVE ANKLE PANT LENGTH

PATCH POCKETS

BELT LOOPS + BELT

What are you waiting for?  Head on over and grab yourself a copy of the Paperbag Pants + Skirt patterns!  They are available on sale (no code needed) through 11:59pm CST, July 19, 2021.

PAPERBAG PANTS + SKIRT | PAPERBAG PANTS + SKIRT – YOUTH | PAPERBAG PANTS + SKIRT – BUNDLE

Maybe hoping for a little more inspiration before you make the purchase?  Head over to our Facebook group where you can see tester albums full of amazing images!

Paperbag Pants + Skirt Album | Paperbag Pants + Skirt – Youth Album

If you’re looking for even more options, we show you a few more ways you can use this pattern in our Paperbag Pants + Skirt Easy Hacks post.

 

P4P University – Interfacing for Garment Sewing

 

The correct use of interfacing is one of the main things that takes your garment sewing to the next level.  Today we will be talking about different types of interfacing, why you might want to use it and how to correctly apply it.

 

The first thing we need to clarify is the difference between stabiliser and interfacing.  Getting these two confused is easy to do, and people can often buy the wrong one for their needs, but their uses are quite different.

STABILISER

Stabiliser is a type of textile used to add extra weight to a particular part of a piece of fabric, usually so some sort of decorative work can be added to that section.  For example, you might add stabiliser to the wrong side of the front of a pair of children’s pyjamas to add some embroidery or applique to the bodice.  The stabiliser helps keep the fabric from distorting when adding the decoration to it.  It can be left on, trimmed down or torn off after use, depending on it’s type.  The picture below shows some embroidery on the reverse of a pair of pyjamas.  You can see the tear-away stabiliser still sitting between the A and the Y, after the rest has been removed.

INTERFACING

Interfacing is a type of textile used on the wrong side of a fabric to make that particular area stronger/more weighty.  For example it is often used in shirt collars to help them stand upright.  The interfacing gives the fabric more rigidity and is not removed, it is permanently attached. 

 

There are two types of interfacing, differentiated by the way you attach them to your fabric.  ‘Sew In’ interfacing is sewn onto the wrong side of your main fabric, within the seam allowance so it is not visible when the garment is finished.  Alternatively it can be quilted on in a particular pattern of your choice, so that it is visible when completed.  It seems to be less popular these days, but is the traditional, couture interfacing.

More popular is ‘Fusible’ interfacing.  This is the same as ‘Sew In’ but it has a layer of heat activated adhesive on the wrong side, which means it can be ironed directly onto the wrong side of your main fabric and adheres permanently.  The instructions for ironing will either be printed on the selvedge, if you have bought it by the metre, or they will be on the packet if you have bought it bagged.  It is important that you ensure the interfacing is fully adhered before sewing the garment together because otherwise it can start to peel off and look messy. This picture below shows an example of an iron-on interfacing attached to the wrong side of a piece of cotton.

 

Interfacing comes in many different weights, from a light weight interfacing used to add a little extra body to the facing on a silk blouse, to a very heavy weight interfacing used to reinforce the brim of a cap/hat.  I used a medium weight interfacing along the placket of my So Classic Sundress to give added support for the poppers and stop it distorting with wear.

Pattern instructions will advise you which weight of interfacing you will need, so that you can ensure you purchase the type needed to get the finish shown in the pattern listing pictures. For example, the Timeless Tunic notions require a lightweight interfacing for adding body to the neckline facing to help it keep the correct shape.

You will also find interfacing used in woven patterns to add body/structure/strength to shoulder seams, around pocket openings, along plackets, in collars, and even over entire bodice and sleeve pieces in jackets and coats.

KNIT/STRETCH INTERFACING

As well as woven interfacing, you can also find knit/stretch interfacing used for adding greater structure or strength to knit fabrics.  It can be used to stop these fabrics from stretching out too far, for example it is often used around pockets in a knit dress, so that the dress doesn’t become misshapen with use.  I like to use it to add greater structure to the front of my Go To Jacket before sewing on the zipper, as it helps stop the fabric stretching out when attaching the non-stretch zipper to the stretch fabric.

 

In this video I discuss a few different types of interfacing and show how they are adhered to fabric.  Sometimes seeing the fabrics being handled can give you a much clearer idea of what they would be like to use in real life.

Whichever type or weight of interfacing you need, the pattern you are using will give you details of what you need and when you need to use it.

 

Now that you know more about how to use interfacing, why not take a look at one of these patterns above or the Timeless Tunic or Tiny Timeless and put your new found skills to use.

 

Happy Sewing!

Dana x

 

 

 

 

 

 

Summer PJs easy hack

As with all new P4P patterns our blog team has some easy hacks ready for you to take your Summer Pjs up a notch. It is a sizzling summer after all…

Knit and FOE

Let’s start with a simple fabric switch. If you are anything like me you have piles and piles of knit fabric in your stash. Let’s make the Summer Pjs with jersey knit. The other replacement we are making is switching the bias tape for FOE (fold over elastic).

I used 5/8″ FOE for mine but any width bigger would work too. One of my favorite parts of making the Summer PJs with knit is that I can coverstitch the hem.

Sew the PJs as instructed in the tutorial. When adding FOE simply fold it in half and sew it on with a lightning bolt stitch or triple stretch stitch. You can get away with using a straight stitch since the pattern has plenty of positive ease so you won’t really be stretching the binding.

I left the FOE as is for the back strap but you can certainly fold that one over as well.

Use lots of pins when adding the long back strap. It will help if you steam press the FOE fold prior to pinning or clipping it in place.

That’s it! No changes made to the actual pattern pieces just fabric choice…easy peasy!

Lace Insert

If you are looking to make your Summer Pjs just a little more sexy…why not add a lace insert to the front of the top or nightie? Grab your favorite lace or very wide lace trim and let’s get started. Cut the fabric as instructed in the pattern. Using a disappearing pen, like a Frixion , mark on the front piece the “V” you would like to be lace. This is where you choose how “risque” you would like to make your pajamas. Mark another line 1/4″ inside of the first one. This will be your cutting line for the main fabric. Cute along the green line and remove the inside triangle.

Cut down your lace a 1/4″ bigger than the size of the bigger triangle. If you use gallon lace or trim make sure the pretty details (like Judy’s black accent) is at the top. Mark 1/4″ inside the V lace triangle with the disappearing pen or tailor chalk. This will be the stitching line.

Place your lace triangle over the front piece right sides together matching the stitching lines (red). Sew over the marked lines with a straight stitch, pivoting at the center V. Flip the lace piece inside the main fabric and finish the raw edges with a zig zag stitch. Top stitch 1/8″ away from the edge.

If your lace has a raw edge at the top, follow the pattern to add bias binding. If your using lace with a finished edge like Judy’s then simply skip the front bias tape.

All you have left to do now is enjoy your new sexy summer pajamas.

 

Ruffles

Ruffles can add such a soft, feminine detail and to me, the new Summer PJ’s has so many great places to add a ruffle. One of the first places is the legs. You can add ruffles to either the cheekie or shorts length. For this tutorial, I added ruffles to the shorts length.

To begin, you will want to assemble your shorts as directed by the tutorial, with the exception of hemming.

Once you’ve constructed your shorts, you will need cut your bands that will be used for the ruffles. The band needs to be 3″ x width of fabric. If you would like your ruffle more full, you can always sew two strips together to create a fuller look.

Once the strips are cut, you will want to press them in half, with wrong sides together.  Unfold your strips. With right sides together, stitch the ends together, using a 1/2″ seam allowance to create a loop.

Re-fold your band. Using the longest straight stitch on your machine, create your gathering stitches. You will want to use two rows of stitches, one at a 1/4″ from the raw edge and a second 5/8″. Repeat on other band.

Mark the middle of your band with a pin or clip. Pulling the bobbin thread, begin to gather your band. You will then want to match up the seam of the band with the crotch seam and the middle with the outside leg seam.

Evenly distribute your gathers and attach using a 1/2″ seam allowance. To finish, press the seam up and top stitch around the legs if wished!

Another quick and easy way to add ruffles to the Summer PJ’s is to add one to the neckline. I chose to add this to my daughter’s nightgown and we are both in love with the results. Many of the steps will be the same as above. After cutting out your top, stitch your side seams together. For the ruffle, you will want to cut a strip of fabric that is 3″ x double the width of the neckline. Press this strip of fabric in half, wrong sides together.

Using the longest straight stitch, create your gathering stitches by stitching a straight line at both 1/4″ and 5/8″ from the raw edge.

To gather, pull the bobbin thread until the strip is the same width as the neckline (** Leave 1/2″ ungathered on both ends to help reduce bulk when attaching the binding).  Baste around the armscyes and neckline to hold ruffle in place.

Continue to finish the top according to the tutorial, attaching the binding to the neckline as instructed, treating the ruffle and neckline as one.

Now that you have your youth and adult Summer PJs, and learned some easy hacks, time to get creative with your own pajamas. Don’t forget to share your pretties in the P4P Facebook group so we can all marvel at their beauty.

Alex and Erinn

When It Goes Against the Grain

Woven Fabrics

We make woven fabrics on a loom. The weaver strings the lengthwise threads first, and we call them the “warp”. Then threads are woven through them creating the fabric. We call these horizontal threads  the “weft” or the “woof”. We’ve named the edges of the fabric the “selvages” or “selvedges”, and we weave them more tightly to prevent fraying.

The warp creates the “straight grain” of the fabric, and the weft creates the “cross grain”.

Pattern pieces have grainlines printed on them.  They are either arrows or fold lines.

Grainline

 

When we cut a pattern out, the best way is to fold the fabric carefully on the straight grain of the fabric, lining up the selvages .  If you need to straighten the ends of your fabric, take a snip through the selvage near one end. Then pull a horizontal thread. The missing thread will create a straight line for you to cut along.

Fold Placement

Then place the pattern pieces down carefully with the grain lines on the pattern piece lined up with the straight grain of the fabric.

Finding the Straight Grain

An easy way to check if your pattern piece is “on-grain” is to measure from the line on the pattern piece to the selvages in a couple of places. The distance should be the same.

It’s important for long pattern pieces, especially something like a pant leg, to be grain perfect. If it’s not, the garment will twist, and once you cut it, there’s nothing you can do to fix it. You’ll also never be able to match stripes or plaids if you cut off-grain.

Smaller pieces like pockets, collars, cuffs, and yokes can be cut on the straight grain, the cross grain, or the bias no matter what the lines on the pattern say. The “bias” is the direction that’s 45 degrees from the straight grain. It has more drape than either the straight grain or the cross, and edges cut on the bias don’t fray.

When you cut major pieces on the bias, it’s important to cut them in opposite directions or your whole garment will twist. But it’s not important for small pieces like pockets.

How to Position Bias Cut Pieces

 

 

 

 

 

 

 

 

You can mark the bias on your pattern piece with a protractor or a quilting ruler.

Marking the Grainlines

 

 

 

 

 

 

 

 

Over time fabrics cut on the cross grain will droop more than then fabric cut on the straight. It’s not a problem for something like a skirt or pants made from a border print. The droop won’t be noticeable in the normal lifetime of the garment. You might see it in heavy curtains, though.

Knit Fabrics

Technically, knit fabrics don’t have a grain, but the direction you cut your pieces out matters just as much. Big machines make knit fabric, but they work the same way we knit with yarn and needles. Some machines knit back and forth and some  knit in the round. One results in a fabric with selvage-like edges and other in a tube of fabric.

Close up of a Knit Fabric

 

 

No matter what yarn is used to create the knit fabric, the single knit process will result in a horizontal stretch in the fabric we call the “mechanical stretch”.  Fabrics that only have horizontal stretch are usually called “two-way stretch”.  The addition of elastane (Spandex, Lycra, etc.) to the yarns can create a fabric with both horizontal and vertical stretch, and it is usually described as “four-way stretch”. Whether the fabric is two-way or four-way,  the horizontal stretch should be the circumference of your garment.

Horizontal Stretch Line

While the amount of elastane in the yarns might make the fabric stretchy enough for the garment to fit you cut with the vertical stretch used as the circumference, you shouldn’t cut it that way. If the mechanical stretch in the fabric hangs vertically, you’ll get elephant knees, saggy elbows, and baggy crotches. You can use the same method for making sure your pattern is lined up so the grainlines on your pattern are parallel to the edges of your fabric that we use for wovens. Knit patterns often have the horizontal stretch line marked, too.

There’s a saying in sewing- The fabric always wins. There is probably nowhere in sewing where fighting the fabric is more futile than not paying attention to the grain.

Roberta

Brunch Blouse:: New Pattern Release!

The Summer of Wovens has brought some pants with the Linen Loungers, an updated Everyday Elegance Top and Sweet Bow Dress… and now we give you the perfect top for your apparel wovens, the Brunch Blouse!

We also did it in youth for those with littles.

And, as always we gave you a deal if you wanted both in a bundle listing!

They are both fitted through chest/bust and looser through waist and hip.  They are the perfect casual event top and dress! Use up those gorgeous wovens in your stash or you see at the store and have the perfect thing for that next baby shower, birthday party, brunch with the girls…it even works great for your work or church rotations.

**Want to learn more about how to measure yourself for this pattern?  We’ve got you covered with an in-depth blog HERE.  And in case you’re new to Patterns for Pirates and PDF patterns in general, we have a great blog full of new user tips HERE to help you get started!  And, as with all of our current releases and updates, the pdfs now include our layers feature and can be found in Letter, A4 and A0 sizes.

Lets go over ALL the options!

They include a dolman style short sleeve, cap sleeve and tank.

Shirt length:

Tunic/Curved Hem:

And Dress Length:

 

They both include a henley option:

Chest Pockets:

Short Sleeve Cuffs and Button Tabs:

 

Waist Ties:

The neckline and  tank are finished with single fold bias binding to the inside:

 

Both have a center back seam:

Youth has a button and loop closure on the back while women’s is a simple pull on with no closure.

Don’t forget you can check out this pattern on all shapes and sizes and get a look at more examples of all the options in our albums in the P4P Facebook group! Here is the women’s Brunch Blouse Album and the youth Bitty Brunch Blouse Album.

The sale price will last through Sunday September 17th (midnight US Central time zone) so grab it while you can get that awesome price!

And if that wasn’t enough options, be sure to check out our Brunch Blouse Hacks HERE.

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